Ci sono anche opere appositamente concepite per l'occasione nel percorso espositivo di "Victory is Not an Option", la personale che il Blenheim Palace di Woodstock, nell’Oxfordshire, in Inghilterra, sta dedicando a Maurizio Cattelan. La trentennale carriera dell’artista italiano è raccontata da questa mostra, visitabile fino al 27 ottobre. Le provocatorie opere di Cattelan, noto anche per lavori come "America", il water in oro diciotto carati presentato per la prima volta nel 2016 e oggetto del furto avvenuto a pochi giorni dall'inaugurazione della rassegna, si misurano con le storiche sale della dimora inglese, considerata un capolavoro dell’architettura barocca.

Him, 2001, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

Him, 2001, Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

La Nona Ora, 1999. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

Novecento. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

America, 2016. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

Others, 2011. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

Untitled, 2018. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

We’ll Never Die, 2019. Victory is Not an Option, Maurizio Cattelan at Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation

Victory is Not an Option, 2019. Maurizio Cattelan al Blenheim Palace, 2019, installation view. Photo by Tom Lindboe, courtesy of Blenheim Art Foundation








